There is still a lot to appreciate about the film: the open-minded camerawork (so much happens outside of the frame), the long, expressive close-ups, the natural dialogue and the very funny moments that it creates and its general unpredictability. But truthfully, these pleasures are on display in Cassavetes’ other films too. And they don’t come with the same self-involvement and frustrating incoherence that permeates Husbands.
Click here to read my review at PopMatters
1 comment:
Cassavetes' best movie, in my opinion. I never get tired of this one.
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