"...despite its generic title and the professions of its central characters, The Hit bears little resemblance to the gangster film in the traditional sense. It’s closer in nature to Nicolas Roeg and Donald Cammell’s Performance, a film that opens as a full-on gritty gangster film but radically shifts gears to become a psychedelic head trip about questioning self-identity. The Hit is a less complex (and less frustrating) film but it follows a similar trajectory of using gangster film qualities to philosophize about the nature of death."
Click here to read my review at PopMatters
